Art Povera & some rejected books

Art Povera

I’m at the library almost every day now for my infusion of books. Of the books I check out, I post maybe half of them here. Sometimes I struggle to get past the first sentence, sometimes the first fifty pages leaves me on the fence and I abandon it midway through. Never feel like you have to finish a book you’re not enjoying. Life is too short.

This post is an homage to the stack of books I just brought home. I read one (Art Povera), which I think was referenced by Harold Rosenberg, but it wasn’t on my spreadsheet used to track where I get recommendations/book ideas. The book itself is a great physical object– yellow hardcover with pink lines and black flourishes. It’s on loan from the Berkely Public Library through the Link+ system. Pub’d in 1969, it’s a collection of artists’ works and their thoughts, from Eva Hesse to Joseph Beuys and a dozen other men I’d never heard of. The best part of the book is the first page, “STATING THAT,” which outlines various things about the book “The book does not attempt to be objective since the awareness of objectivity is false consciousness” and “The book, when it reproduces the documentation of artistic work, refutes the linguistic mediation of photography,” etc.

Next, on the subject of Harold Rosenberg, I dug up a copy of his privately published poems, Trance Above The Streets. Only 50 copies were made, in 1942, and somehow I got my hands on the copy that the University of Nevada at Reno has. Poor Harold. To be honest, the poems stink. I admit I was kind of hoping for this, since his art criticism is so high and mighty, it’s nice to see how far they can fall when put upon to create in their own right. For a taste, I bring you his “Woman’s Song:”

It is his sound from afar
The music of the man
Bent over the trees
The violin of his name

Dew and rain
And the rhythm of snow
A blue thing of evening
Behind the towers comes

Joined to his sobbing
The wind of his rage
Oh where is the end of
The space of his will

Gross, huh? Other terrible lines like “in my head the/commonplace/disappears like porpoises/among the clouds,/between my lips/a cigar of oxygen.”

Three other books for the return pile:

  • Rebecca West’s Black Lamb & Grey Falcon. This is the second time I’ve checked it out thinking I needed to see what she was all about. Pass.
  • Queechy by Elizabeth Wetherell. Discovered via Louisa May Alcott, but definitely not in the mood. “Come, dear grandpa! –the old mare and the wagon are at the gate–all ready.” First line does not make me want more of this 19th century tale.
  • Ancilla’s Share: an indictment of sex antagonism. Despite the promising subject, the writing is just too dry dry dry.