Gorgeous book by Edgar Allan Poe that I stumbled onto by way of reading the extensive notes to Moby-Dick (Hendricks House edition) wherein they claim several instances of influence that Poe’s 1838 novel had on Melville (especially in the whiteness of the whale aspect, compared closely with Poe’s eerie last chapter where everything turns white: white powder, white animals, white ashy material, down to the last sentence: “And the hue of the skin of the figure was of the perfect whiteness of the snow.”
Things kick into high gear quickly, where Arthur and his pal Augustus get drunk and take a boat out; nearly dying after being run down by a larger ship, they’re rescued and plopped back on shore. This whets Arthur’s appetite for sea-faring, and he stows away when Augustus sails off on a whaling voyage. A mutiny prevents Augustus from helping Arthur bust out of the hold, and he nearly dies of thirst/hunger. Many are killed, but Augustus is spared, the mutineers start to drink and argue and eventually Arthur appears as the ghost of one of the crew that was killed, helping his friends take control of the ship. Then a huge storm, they’re almost flooded, and near starvation because the stores are flooded. Cannibalism ensues. Eventually, Arthur and Peters are rescued (Augustus doesn’t make it) and head off to polar expedition with the new ship. At this point, the story lags and starts to fall apart, but Poe continues on, has his hero encounter natives in the Arctic that ambush the whites but Arthur hides in a crevice with Peters. Eventually they escape in a canoe and head off into the weird wild whiteness. A lot of the arctic piece was cribbed from A Narrative of Four Voyages published by Benjamin Morrell in 1832; seems like that was the thing to do (as Melville relied heavily on Beale’s The Natural History of the Sperm Whale).
This was Poe’s only novel published, and it leaves me wanting much more. I guess I’ll have to dip into the tales.