Scratch: Writers, Money, and the Art of Making a Living

Brilliant book of essays wherein various authors open their kimonos to show specifics about how much they make and what they do to pay the bills. Overwhelmingly helpful advice from the women and somewhat cagey non-disclosure from the men (Austin Kleon, Jonathan Franzen, I’m looking at you). An inspirational read that has several frank essays which gave me hope, clarity, strength, and bread crumbs to other writers I want to read (Porochista Khakpour, Leslie Jamison, Emily Gould, Meaghan O’Connell, Sarah Smarsh).

Manjula Martin not only does an excellent job curating and editing, she contributes a great essay and several interviews (favorites of which were: Roxane Gay, Richard Rodriguez, Cheryl Strayed). Actually, the Rodriguez interview was with Caille Millner, and she mentioned that he lived in the most expensive city in the country (San Francisco) and was starting to write essays about technology and the new tech billionaires. Rodriguez: “I don’t know why more writers don’t. This is the most interesting shift happening in the country right now.” But it’s not a reasonable city to live in as a writer? “Not if you don’t have rent control already. But I find it really interesting to be in a city where no one is interested in me. It’s really interesting to be in a city where no one reads. [Ed: not true!]… if nobody’s paying attention to you, the world is yours. You can go anywhere you want, observe anything you want. You’re free.”

Hmm. After some digging, I found an interview Rodriguez did in 2014 that has some troubling vibes:

BOOM: A lot of people seem very concerned about the change that those Google buses signal in San Francisco. Do you share those concerns?

RICHARD RODRIGUEZ: No, because I’ve always loved wealth. I’ve loved being around it. If I knew you were wealthy, I would have made friends with you in grammar school.