This is the only short story collection Woolf published in her lifetime, out via the Hogarth Press in 1921. The eight stories show her shift away from the more conventional novel form in her first two books towards the more modern approach that she launches in Jacob’s Room. She’s writing that novel over the same period that this collection of stories comes out, and has a conversation with Lytton Strachey about writing where he asks about her novel, and she says “Oh I put in my hand & rummage in the bran pie.” (The OED defines bran-pie as: “a tub full of bran with small gifts hidden in it to be drawn out at random, as part of festivities at Christmas, etc.” – apparently a Victorian tradition.)
These are the stories included in Monday and Tuesday:
- A Haunted House
- A Society – Poll’s dad leaves her a fortune but on condition that she read all the books in the London Library.
- Monday or Tuesday – short, experimental swirl of sounds, colors, snippets of conversation, a heron flies past, time passes.
- An Unwritten Novel – brilliant imagining of the life of a stranger commuting by train.
- The String Quartet – penetrating description of London society as one goes to an afternoon concert.
- Blue & Green
- Kew Gardens – delightful, previously published in 1919, a first glimpse at a more free flowing form. I think she felt the riskiest part was the conversation between two women b/c she was nervous about certain women reading that section.
- The Mark on the Wall – first pub’d in 1917; spoiler alert, it’s a snail!