Bauhaus: Weimar, Dessau, Berlin, Chicago

This is the heaviest book I’ve ever lugged home from the library, a whopping 12 pounds. I was tipped off to it after untangling leads from the Rauschenberg hole I fell into, mostly curious about Josef Albers. Indeed, his lecture “Creative Education” was my whole reason for ordering up this back-breaking work (p 142-143).

The 600+ pages are a must-read for any art nerds who want to get their hands on primary source materials about the history of the Bauhaus, from its origins in Weimar through its move to Dessau, to its destruction in Berlin thanks to the Nazis and finally its resurgence in Chicago. There’s a whole section of pre-history docs that show the slow buildup to the movement out of the ashes of the Arts & Crafts school.

Walter Gropius’s recommendation for founding a school of this sort, from 1916:

Whereas in the old days the entire body of man’s products was manufactured exclusively by hand, today only a rapidly disappearing small portion of the world’s goods is produced without the aid of machines. The natural desire to increase the efficiency of labor by introducing mechanical devices is growing continuously. The threatening danger of superficiality, which is growing as a consequence of this, can be opposed by the artist, who holds the responsibility for the formation and further development of form in the world, only by sensibly coming to terms with the most powerful means of modern formal design, the machine of all types, from the simplest to the most complicated, and by pressing it into his service, instead of avoiding it as a result of his failure to recognize the natural course of events. This realization will, of necessity, lead to a close partnership between the businessman and the technician on the one hand, and the artist on the other.

In the entire field of trade and industry there has arisen a demand for beauty of external form as well as for technical and economic perfection. Apparently, material improvement of products does not by itself suffice to achieve victories in international competitions. A thing that is technically excellent in all respects must be impregnated with an intellectual idea—with form—in order to secure preference among the large quantity of products of the same kind. Firms employing manual workers and small traders have, because of their very nature, never lost touch with art entirely; to influence them artistically no longer satisfies modern demands. Today, the entire industry is also confronted with the challenge of applying its mind seriously to artistic problems. The manufacturer must see to it that he adds to the noble qualities of handmade products the advantages of mechanical production… Only then will the original idea of industry—a substitute for handwork by mechanical means—find its complete realization.

A small section of colored plates was at the beginning, including this Herbert Bayer  (“Chromatic into Two Centers”), 1967.

A Christmas Carol

It has been a year of Dickens, apparently. This is my 6th Dickens book consumed this year, appropriately timed for the holidays. Gorgeous edition from the Morgan Library which included digital photographs of each page of the manuscript side-by-side with the transcribed text.

Dickens is in top form in this quickly rendered story, churned out in six weeks for the 1843 Christmas season and to help pay the bills that were crowding in. Scrooge is the main attraction, a “squeezing, wrenching, grasping, scraping, clutching, covetous old sinner!… self-contained and solitary as an oyster.” Marvelous character! He says if he could get his wish, “every idiot who goes about with ‘Merry Christmas’ on his lips should be boiled with his own pudding, and buried with a stake of holly through his heart.” As he tries to withstand the onslaught of Spirits, he claims that anything could upset his senses, such fragile things they are. “A little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more gravy than grave about you, whatever you are!”

Two Years Before the Mast

I’m not sure how I managed to avoid reading Richard Henry Dana’s classic work chronicling his two years at sea, but Melville tipped me off to it again recently (Dana recites the 39th chapter of Job to keep himself entertained during his watch on board). Dana’s voyage began in 1834 out of Boston on a ship bound for California to collect hides. Once they get to San Diego, Dana is tasked with curing the cattle hides on shore and becomes familiar with the other beach denizens, learning piecemeal Hawaiian and mastering Spanish. He finagles his way onto a different ship when he learns that his original ship was going to stick around the California coast for an extra year or two, and Dana was concerned about missing too much of his “real” life (he took a few year sabbatical from Harvard studies to go oceaning).

It’s an interesting work—priceless descriptions of early California pre-Gold Rush, detailed information about the running of a ship from a worker’s perspective—but nothing nearly as astonishing as Melville’s blend of tale and poetry. I was struck by one possible coincidence/influence—did Bartleby’s “I prefer not to” originate out of Dana’s Indians who were asked to help and shook their heads saying “no quiero” ?? (Chapter XIV)

Dana’s treatment of the natives is as racist and ridiculous as you’d expect. He calls their language “the most brutish and inhuman language, without any exception, that I ever heard or that could well be conceived of. It is a complete slabber. The words fall off of the ends of their tongues, and a continual slabbering sound is made in the cheeks, outside of the teeth. It cannot have been the language of Montezuma and the independent Mexicans.”

I learned that sailors call tea “water bewitched,” which I love. And his use of “holyday” made me realize that this is where “holiday” derives from.

Great quote about California that I wish were still true: “Revolutions are matters of constant occurrence in California. They are got up by men who are at the foot of the ladder and in desperate circumstances…” Also prescient is his comment about the Bay Area (circa 1935): “If California ever becomes a prosperous country, this bay will be the centre of its prosperity. The abundance of wood and water, the extreme fertility of its shores, the excellence of its climate, which is as near to being perfect as any in the world, and its facilities for navigation, affording the best anchoring-grounds in the whole western coast of America, all fit it for a place of great importance.”

Oliver Twist

Gruel, gruel world! This is Dickens’s second novel, a more gruesome and tattered look at poverty and crime in early 19th century London, peppered with bits of witticism but mostly just grim. There’s even a murder! Poor Nancy gets offed by Sikes when he suspects her of having told people of his crimes. But the main story is the eponymous Oliver Twist, an orphan raised by the state with starvation rations, farmed out to a coffin-maker as an apprentice where he runs away from more ill-treatment. Walking the 70 miles to London, he arrives fairly bedraggled and falls in with the wrong crowd. Artful Dodger, as Jack Dawkins is known, feeds him and takes him to his boss, Fagin the Jew, who leads a ring of petty thieves, stealing pocket handkerchiefs and watches and anything else of resale value. We know Oliver is different, somehow angelic in the middle of all these bad ‘uns. Of course it turns out that his parents were rather well-to-do, and he ends up with a pretty inheritance along with a parcel of happy and kind friends.

The Great Floodgates of the Wonderworld: A Memoir

This is a terrible book.

It takes a certain combination of factors to get me to “rage-read” a book and this memoir overflowed with those elements. I really wanted to like it—it’s billed as a tale that weaves surfing in NYC with Moby-Dick. What could go wrong?

Justin is blindingly ignorant of his own privilege, for one thing. He chooses to go to grad school in literature because you get the summers off. His constant braying about being “poor” rings so falsely, but I didn’t start to rage read until he brags about his wealthy friend Kyle Grodin who withdrew a huge stack of money from an ATM and tossed them around like confetti, “like being inside one of those state-lottery globes where it snows money.”

Bragging is—at least— a consistent theme through the book. Attending a Unitarian church service (after whining that you can’t admit to going to church without people looking at you like you’re an alien), he looks around the room at the gray-haired congregation and realizes that the minister’s sermon around Green Day lyrics is probably going over their heads. “It’s a safe bet that I’m the only one in the room with remotely punk rock roots: the only one with multiple tattoos, or who’s seen Fugazi live from the front row of a Wyoming cowboy bar, or who’s skated Burnside solo on a rainy Christmas Eve.”

Remember how he’s poor? Yet when he goes to a donation-based therapist, it’s “a foreign concept for someone who’s spent thousands of dollars in therapy.” Get ready to start feeling really uncomfortable, because this man is a coddled wreck. He goes to this counselor to get advice about a woman who broke up with him 6 months ago. This is where we’re treated (vomit) to a description of this ex-girlfriend, “She was and is one of the most beautiful women I’ve ever known: sea-green eyes and impossibly long lashes, olive complexion, and aquiline nose and thick dark hair.” Surprise, surprise, she doesn’t want to get back together with him. He goes into shock (I’m not making this up) and somewhat loses his mind: “I thought about calling Nicole [the woman who rejected him], or 911, or the psychic hotline, or every woman in the phone book until someone came to help me.” What the actual fuck? He thinks all women exist solely to talk him out of his funk.

This might be a good time to mention that in the first 30 pages of this mess, he tries to work an “I’m bisexual” vibe in when he visits this dude, Asa. Justin’s dropping Queequeg hints all over the place—they’re hard to miss. “He reaches over and places his hand on my shoulder, squeezes. ‘I’m glad you’re here, man,’ he says. Our eyes meet for a moment, then I glance at the open window, through which I can see his bed and stack of surfboards, and part of me wants to lean back over and kiss him… I realize that I sort of want to spend the night over at Asa’s… Instead of kissing him, I make him promise to take me surfing.” I have no problem with bisexuality, but my god he is such a terrible writer. And the bi-claim goes stale quickly when it’s only women who get reduced to terms of physical appearance from now on, like the “good-looking city women who are out for the weekend” or Lisa Mae who is “totally beautiful.”

I had to take a break mid-way through to recover from eye-roll strain. “Dawn stays out in the ocean for another half hour, while Teagan and I nap and flirt on the beach. It’s late afternoon by the time we make it back to Brooklyn. I shower and put on a T-shirt and jeans and cowboy boots. Before heading out I do a quick double take in the mirror, a little surprised how surfing has transformed my upper body.” He is so in love with himself, and it comes through in every whine and annoying comment.

Remember Nicole? She’s not the only ex-girlfriend in this story. A more recent breakup is Karissa, whose acne is described in disgusting detail when she comes to visit him pre-breakup. But now he’s mooning over her and “Then it hits me—what feels like an epiphany: I want to be with Karissa.” When he calls her in Portland, he finds out that she’s happily dating someone else. “Feeling panicked and desperate, I tell her how I’ve dated some people too, but that I realize now how special what we had was…”

I guess this is as good a place as any to mention that this idiot goes to “men’s meetings” as a way to deal with his “addiction” to relationships. I’ll just let that sit here.

At one of these men’s meetings (try not to giggle imagining these terrible get-togethers), a man mentions that he’s dealing with his ex working in the same office with him. Justin gets a jolt of anxiety listening to his story, thinking “what if Karissa’s new boyfriend has a bigger dick than me?” I think I actually hooted with laughter here.

Throughout this sad tale of a Colorado spoiled brat who moves to NYC and surfs at Rockaway while going to men’s meetings and agonizing over whether to quit his job or not, he tries to weave in more personal details along with the terrible pastiche of Melville trivia. This is how we learn about his grandmother who loved spending time at the beach in California, playing her ukulele. “It’s a little sad that Mariana stayed in Missouri, her creative connection to the ocean relegated to an old-fashioned bathtub…” Even sadder is that she had children that in turn had you, my friend. His uncle got kicked out of Scientology, if that gives you any indication of the type of genius that runs in this family.

Justin dons his professor cap to teach us about “dark romanticism” vs the romance novels that he’s editing for his day job. Adopt a nasally tone as you read this in your head: “As a genre, romance traces back to masters of the novel like Jane Austen and Charlotte Brontë. I have nothing but respect for both writers; I’d read and loved Jane Eyre. And a century later, their brand of spooky romance is back in vogue, and I think it’s sort of cool.” Sort of cool. Right. And let’s just skip over Samuel Richardson and Walter Scott, shall we? Back at work, Justin is editing romance novels and in BIG TROUBLE because he’s also an addict, remember? He’s in a 12-step program dealing with co-dependence and it makes him squirmy to read hot and heavy text all day. “Even worse, there’s a new emphasis on Latina romance, stuff that gets really steamy, and that reminds me, page after agonizing page, of Karissa.” (Page after agonizing page? I feel your pain.) When he brings up this pathetic complaint to his group, his “new Puerto Rican friend Carlos” tells him to wake up: “So you have to edit some romance novels, so what? Is reading a book going to kill you?” Carlos is the only sane person in this memoir. Justin ignores their advice not to quit his job, because, white male privilege.

My favorite part of the book is when Justin gets carjacked in Denver. As he drives to his stepsister’s house, he muses about how much tougher his Brooklyn hood is: “I laugh inwardly at what she considers rough… it has no graffiti tags, rats, broken beer bottles, used condoms, or female junkies shooting smack in broad daylight.” Female junkies? Thanks for clarifying. Anyway, his rental car gets stolen along with his laptop and backpack, and this gives him carte blanche to start whining about PTSD. And when he’s back at the beach in NYC, “I notice my heart punching in my chest when a couple thugs blasting 50 Cent in a lowered Nissan circle around the parking lot.”

He gets some anti-depressants and thinks he’ll end up at Bellevue. “The evening after my Ambien reaction, I call my mother and tell her what happened. Clearly distressed, she asks if I’ve considered hurting myself. [INSERT DRAMATIC PAUSE] I tell her the truth.” Please do us all a favor and off yourself already.

Meanwhile, he’s been offered a job in Portland and cannot get off his ass to move there. After accepting the job, he lags for another few months before moving. During that time, there’s a break-in at the office and computers and monitors are stolen. “I know it’s because the organization is a captainless ship, in chaos without me.” Ow, ow, ow, my eye roll strained again.

He hears some voices (not making this up) that tell him to move to Porland. He asks the voices what to do about Karissa, who lives there. “At this there is laughter; a voice explains that I’m not to worry, that I’ll meet a girl who does yoga and surfs.” OMG this guy.

Call Me Ishmael: A Study of Melville

Charles Olson can ostensibly get away with this flimsy 1947 opinion piece on Melville because he’s a poet. Something wasn’t quite right about the whole thing, and after finishing it, cursory research on Olson reveals that he was a known misogynist, “sexist, chauvinist and macho.” That’s what comes across most jarringly in Olson’s essay, this hatred of women, calling Melville’s marriage a “white marriage” in the same breath as talking about the tragedy of his two sons (“white marriage” = not consummated, e.g. acting as a beard, but if children result is it divine intervention?)

Of more interest is when he can occasionally float above this rotted attitude and stick to the facts, dissecting the precise influence of King Lear, Antony and Cleopatra, etc. on Melville. But anyone looking for a thoughtful and considered deep dive on Moby or even Melville’s life should chuck this into the garbage bin where it belongs.

Herman Melville: Representative selections, with introduction, bibliography

Following some threads that I uncovered while reading Moby-Dick, I was led to Willard Thorp’s 1938 book that encompasses snippets from Melville’s work along with a 100+ page introduction by Thorp. I skipped over the pieces of M’s novels since I plan to read them in their entirety and gobbled up the letters, criticism, and poetry.

The reprints of his literary criticism include M’s thoughts on Browne’s Etchings of a Whaling Cruise (1847) and a near-love-letter to Hawthorne’s Mosses from an old Manse, fairly oozing with adoration. This last was written on the eve of the two men meeting for the first time, and apparently Hawthorne was reading M as well, saying “I have read Melville’s works with a progressive appreciation of the author. No writer ever put the reality before his reader more unflinchingly than he does in ‘Redburn,’ and ‘White Jacket’ ‘Mardi’ is a rich book, with depths here and there that compel a man to swim for his life. It is so good that one scarcely pardons the writer for not having brooded long over it, so as to make it a great deal better.” (Hawthorne to Duyckinck, August 1850).

The selections of letters are too sparse for my liking, but the ones that were included were a gem. In his 1861 letter back home to his wife, he talks about meeting President Lincoln in Washington: “A steady stream of two-&-twos wound thro’ the apartments shaking hands with ‘Old Abe’ and immediately passing on. This continued without cessation for an hour & a half. Of course I was one of the shakers. Old Abe is much better looking that [sic] I expected & younger looking. He shook hands like a good fellow—working hard at it like a man sawing wood at so much per cord.”

M’s letters to Hawthorne once they become fast friends are a whirlwind. “There is the grand truth about Nathaniel Hawthorne. He says No! in thunder; but the Devil himself cannot make him say yes. For all men who say yes, lie; and all men who say no, —why, they are in the happy condition of judicious, unencumbered travellers in Europe; they cross the frontiers into Eternity with nothing but a carpet-bag,—that is to say, the Ego.” (March 1851)

The whole June 1851 letter is amazing, M writing in the heat of battle as he finishes up Moby. Some choice parts:

“In a week or so, I go to New York, to bury myself in a third-story room, and work and slave on my “Whale” while it is driving through the press. That is the only way I can finish it now, – I am so pulled hither and thither by circumstances. The calm, the coolness, the silent grass-growing mood in which a man ought always to compose, – that, I fear, can seldom be mine. Dollars damn me; and the malicious Devil is forever grinning in upon me, holding the door ajar. My dear Sir, a presentiment is on me, – I shall at last be worn out and perish, like an old nutmeg-grater, grated to pieces by the constant attrition of the wood, that is, the nutmeg. What I feel most moved to write, that is banned, –it will not pay. Yet, altogether, write the other way I cannot. So the product is a final hash, and all my books are botches.”

“If ever, my dear Hawthorne, in the eternal times that are to come, you and I shall sit down in Paradise, in some little shady corner by ourselves; and if we shall by any means be able to smuggle a basket of champagne there (I won’t believe in a Temperance Heaven), and if we shall then cross our celestial legs in the celestial grass that is forever tropical, and strike our glasses and our heads together, till both musically ring in concert, –then, O my dear fellow-mortal, how shall we pleasantly discourse of all the things manifold which now so distress us, –when all the earth shall be but a reminiscence, yea, its final dissolution an antiquity. ”

“Though I wrote the Gospels in this century, I should die in the gutter.”

“My development has been all within a few years past. I am like one of those seeds taken out of the Egyptian Pyramids, which, after being three thousand years a seed and nothing but a seed, being planted in English soil, it developed itself, grew to greenness, and then fell to mould. So I. Until I was twenty-five, I had no development at all. From my twenty-fifth year I date my life.”

“P.S. You must not fail to admire my discretion in paying the postage on this letter.”

 

A Song for Lost Angels

I love reading the Wednesday SF Chronicle for one reason—the column by Kevin Fisher-Paulson. His tales from the outer, outer Excelsior detail being married to his partner Brian, raising two sons whose mothers were addicted to drugs while they were in the womb, navigating life as a gay white dad raising black sons in a weird world; oh and he works at the sheriff’s department while his husband is a professional dancer. He’s a great storyteller in those Wednesday columns, and through them I found out that he had written a book about their first attempt to adopt. In the early 2000’s, they fostered triplets whose mother abandoned them while they were in the ICU after birth; she was a diagnosed schizophrenic who seemed to have no desire to raise the children when they met with her in obligatory visits, but her mother, the triplets’ grandmother, was eager to get paid by the state to care for the babies. The Fisher-Paulsons took amazing care of these fragile creatures for a year while the state and birth grandmother machinated on how to obtain custody. A homophobic social worker started lying about their behavior and eventually the babies were taken away. There is a bittersweet ended in that the couple goes on to successfully adopt their current sons, and news filters back that the triplets were taken from their mother after abuse charges surfaced.

Moby-Dick

How to go about capturing the umpteenth reading of this classic work? My copy is pockmarked with post-it notes of things to remember. This was the first time I read the book with the extremely helpful 1952 Hendricks House edition’s hundreds of pages of notes (which also is filling up with my post-it notes, reviewed here). I sip at a chapter of M-D, dive into the Hendricks notes, cross-reference with online notations, look up delicious words in the dictionary, and scribble the good ones into a notebook where I’m collecting words. It’s taking me awhile to swim through, but as always it is a delight. Fart jokes, Shakespeare/Milton/Goethe/Carlyle/Montaigne influences, Biblical stories, alliterative gold. The book is a wonder. You hop from Hamlet to Macbeth to King Lear to Job and back again. The hero of the book swims into view only in the final 3 chapters—masterful!

Chapter 1: Loomings. Nothing comes close to the perfection of this opening chapter. Ishmael finds himself growing grim about the mouth, bringing up the rear of every funeral he meets, wanting to knock people’s hats off, so he goes to sea. Also nestled in this chapter is the timeless reference to a “Grand Contested Election for Presidency of the United States” and a bloody battle in Afghanistan.

Chapter 2: The Carpet-Bag. Ishmael is on his way. Stuck in New Bedford until the next ferry to Nantucket, he looks for a cheap hotel. Melville makes me weak at the knees: “Yet Dives himself, he too lives like a Czar in an ice palace made of frozen sighs, and being a president of a temperance society, he only drinks the tepid tears of orphans.” And don’t miss the fart joke: “For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim)”—e.g. don’t eat beans.

Chapter 3: The Spouter-Inn. Enter Queequeg, Ishmael’s sleeping companion and soon bosom buddy. Here we find M-D‘s first aphorism: “Better to sleep with a sober cannibal than a drunken Christian.”

I can’t continue to go chapter by chapter else I write the longest entry ever, but I also want to call out the beautiful explanation of Jonah’s Biblical story in Chapter 9: The Sermon. If church were always so lyrical, I might be tempted to attend.

Alliteration

Something that strikes the ear repeatedly is Melville’s masterful use of alliteration. These are some of my favorites, by no means an exhaustive list:

Huge hills and mountains of casks on casks were piled upon her wharves, and side by side the world-wandering whale ships lay silent and safely moored at last; while from others came a sound of carpenters and coopers, with blended noises of fires and forges to melt the pitch… (Ch 13)

On Ahab: “There was an infinity of firmest fortitude, a determinate, unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance.” (Ch 28, when Ahab first arrives on the scene)

Having impulsively, it is probable, and perhaps somewhat prematurely revealed the prime but private purpose of the Pequod’s voyage, Ahab was now entirely conscious that, in so doing, he had indirectly laid himself open to the unanswerable charge of usurpation; (Ch 46)

It was while gliding through these latter waters that one serene and moonlight night, when all the waves rolled by like scrolls of silver; and, by their soft, suffusing seethings, made what seemed a silvery silence, not a solitude: on such a silent night a silvery jet was seen far in advance of the white bubbles at the bow. (Ch 51)

As morning mowers, who side by side slowly and seethingly advance their scythes through the long wet grass of marshy meads; even so these monsters swam, making a strange, grassy, cutting sound; and leaving behind them endless swaths of blue upon the yellow sea. (Ch 58)

Mingling their mumblings with his own mastications, thousands on thousands of sharks, swarming round the dead leviathan, smackingly feasted on its fatness. (Ch 64)

So suddenly seen in the blue plain of the sea, and relieved against the still bluer margin of the sky, the spray that he raised, for the moment, intolerably glittered and glared like a glacier; and stood there gradually fading and fading away from its first sparkling intensity, to the dim mistiness of an advancing shower in a vale. (Ch 134)

Rhyme, humor, or playing with words:

Go it, Pip! Bang it, bell-boy! Rig it, dig it stig it, quig it, bell-boy! Make fire-flies; break the jinglers! (Ch 40)

The more I consider this mighty tail, the more do I deplore my inability to express it. (Ch 86)

Ch 15, while eating chowder, wondering what the effect is on the head (e.g. chowder-headed people)

… this same cash would soon cashier Ahab. (Ch 46)

The whole scene in Ch 91 where Stubb speaks disrespectfully to the French captain through an interpreter. “You may as well tell him now that – that – in fact, tell him I’ve diddled him…”

Top-heavy was the ship as a dinnerless student with all Aristotle in his head. (Ch 110)

Oh! jolly is the gale, And a joker is the whale, A’ flourishin’ his tail, – Such a funny, sporty, gamy, jesty, joky, hoky-poky lad, is the Ocean, oh! The scud all a flyin’, That’s his flip only foamin’; When he stirs in the spicin’, – Such a funny, sporty, gamy, jesty, joky, hoky-poky lad, is the Ocean, oh! Thunder splits the ships, But he only smacks his lips, A tastin’ of this flip, – Such a funny, sporty, gamy, jesty, joky, hoky-poky lad, is the Ocean, oh! (Ch 119)

Melancholy:

A noble craft, but somehow a most melancholy! All noble things are touched with that. (Ch 16)

For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the carking cares of earth, and seeking sentiment in tar and blubber. (Ch 35)

Defiant:

And, as for me, if, by any possibility, there be any as yet undiscovered prime thing in me; if I shall ever deserve any real repute in that small but high hushed world which I might not be unreasonably ambitious of; if hereafter I shall do anything that, upon the whole, a man might rather have done than to have left undone; if, at my death, my executors, or more properly my creditors, find any precious MSS. in my desk, then here I prospectively ascribe all the honor and the glory to whaling; for a whale-ship was my Yale College and my Harvard. (Ch 24)

Self-referential (or on writing)

For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught – nay, but the draught of a draught. Oh Time, Strength, Cash, and Patience! (Ch 32)

But I have swam through libraries and sailed through oceans; I have had to do with whales with these visible hands; I am in earnest; and I will try. (Ch 32)

So ignorant are most landsmen of some of the plainest and most palpable wonders of the world, that without some hints touching the plain facts, historical and otherwise, of the fishery, they might scout at Moby Dick as a monstrous fable, or still worse and more detestable, a hideous and intolerable allegory. (Ch 45)

Now then, thought I, unconsciously rolling up the sleeves of my frock, here goes a cool, collected dive at death and destruction, and the devil fetch the hindmost. (Ch 49)

Seldom have I known any profound being that had anything to say to this world, unless forced to stammer out something by way of getting a living. (Ch 85)

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor’s quill! Give me Vesuvius’ crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. (Ch 104)

Words to love:

portentous, ponderous, fain, arrant, toper, obstreperous, farrago, bosky, withal, tarry, stalwart, inexorable, nonce, wights, celerity, stultify, brindled, palavering, apotheosis, puissant, pallid, expatiate, flummery, solecism, legerdemain, howdah, windrow, cozening, scaramouch, freshet, vicissitude, ineffable, recondite, expatiate, chriography, stolidity, effulgences

Annotated edition of Moby-Dick

The best edition of Moby-Dick for scholars is the 1952 Hendricks House edition (edited by Luther Mansfield & Howard Vincent), which is incredibly hard to find, a copy currently retailing online for almost $6k. Luckily, the extended library network sent me a copy and I kept it handy while reading the text. Melville’s borrowings and embellishments and source material are all exposed here, and you can see just how closely he adhered to those sources or exactly the magic sprinkle he gave words to make them jump. He was deeply indebted to:

  • Thomas Beale’s The Natural History of the Sperm Whale (1839)
  • Frederick Bennett’s Narrative of a Whaling Voyage Round the Globe (1840)
  • J. Ross Browne’s Etchings of a Whaling Cruise (1850)
  • Henry Cheever’s The Whale and his Captors (1850)
  • Scoresby’s Account of the Arctic Regions (1820) – the notes make continual reference to the fact that Melville pokes fun, “indulges in baiting the humorless Scoresby,” throughout the text.

Here is where I found detailed information about the Pythagoras fart joke, his maxim being “To abstain from beans because they are flatulent and partake most of the breath of life.” Here also is the explanation for the “Grand Contested Election” that freaked me out as a 2017 reader. Melville was talking about the Tippecanoe and Tyler too victory that unseated Van Buren. The recommendation to read Poe’s excellent Arthur Pym came from here as well.

There must have been a dozen pages each explaining the name Ishmael, Ahab, and the other main characters. Catching a whiff of Shakespeare in the text? Turn to the notes to see if it’s coming from Hamlet, Macbeth, King Lear, Julius Caesar. The exposition on good/evil is off the charts. Unending pages about Satan (Melville writes in The Confidence-Man that the 3 great original characters in fiction are Hamlet, Don Quixote, and Milton’s Satan.)

One of the things I liked best about the notes was that they incorporated reference to all of M’s other works as well; like the example of discussing the “condor’s quill” reference, saying that Melville’s finest account of his creative process was in Mardi, chap 180, along with letters to Duyckinck in Dec 1850 and Hawthorne June 1851, printed in Thorp’s Representative Selections of Herman Melville.

The note about Pompey’s Pillar explains that the Egyptian hieroglyphics and the Greek inscription on the pedestal “by the middle of the nineteen century had been much effaced by initial-carving tourists.” What is this base desire to leave an “I wuz here” mark wherever tourists go???

Moby-Dick in Pictures: One Drawing for Every Page

An interesting idea that would have been vastly aided by better execution. If you’re going to look at 500+ drawings, it’s best if you appreciate the style of the artist. I admit that it was a nice break, as I was reading Moby-Dick and cross-referencing with the 1952 Hendricks House notes, to then dip into this book and flip through the pages that I had just read. But I never looked forward to seeing how Kish had depicted the scenes. Most interesting is his summarizing of Melville’s sayings as Aphorisms (although I noted a few in reading that he missed):

  • Better sleep with a sober cannibal than a drunken Christian
  • A good laugh is a mighty good thing and rather too scarce a thing
  • I’ll try a pagan friend… since Christian kindness has proved but hollow courtesy.
  • Nothing exists in itself
  • If you can get nothing better out of the world, get a good dinner out of it, at least
  • When a fellow’s soaked through, it’s hard to be sensible, that’s a fact

Various Moby-Dick notations, essays, and explanations

From the Northwestern University and Newberry Library 1988 edition of Moby-Dick, I gleaned very little new, except confirmation that Melville was reading Shakespeare in the months leading up to writing Moby. Letter above from 1849.

I also perused two volumes of Jay Leyda’s Melville Log, wherein he lays out every bit of Melville-miscellany and invites you to write your own biography. From these hundreds if pages I confirmed that he stopped in San Francisco between Oct 11-20, 1860.

Hendricks House 1952 edition has helpful notes, such as the fact that Chapter 25: Postscript was left out of the British edition since it’s a bit blasphemous about the king’s coronation, “a king’s head is solemnly oiled at his coronation, even as a head of salad.” Also, the Epilogue was unaccountably left out of the British edition, making a lot of reviewers feel that the ending was too hasty, unfinished.

Other useful resources:

The Outermost House: A Year of Life On The Great Beach of Cape Cod

An account of a year spent living alone on a spit of land at the edge of Cape Cod in 1926. He hikes into town twice a week for eggs and butter, spends his days collecting driftwood and watching birds, chats with the coast guardsmen that patrol the beach at night. It’s a watered down attempt at what Thoreau perfected over the years he reworked Walden. Skip this and read that instead. Or Annie Dillard’s Pilgrim at Tinker Creek.

Best parts are descriptions of the cold sleety beach during the dark winter months, as he piles up wood wherever he can in the cabin to keep it dry. Also of scavenging from the many shipwrecks that happen right off the spit of land.

He instructs you to view birds sitting but be sure to clap your hands to send them into flight. “They will take no real alarm and will soon forgive you.” Hmm, ok. Expending precious energy for human’s amusement.

“The world today is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot.”

Views A-foot; Or, Europe Seen with Knapsack and Staff

Some books are meant to be lost in the sands of time. There’s really no reason you would ever read this book unless you were going down a rabbit hole to investigate influences on Melville’s writing, and this is one of those influences. Taylor’s reminisces of an 1844-46 journey to the Old World were gobbled up by Melville in 1846; Herman also traveled with Taylor’s cousin, Franklin, on his ship to London, and knew Bayard well, according to the Hendricks House edition of Moby-Dick. Still, I was curious, so I hunted down a copy of the book, obtaining an 1869 edition which came from Boston via ILL.

Taylor was a 20-year-old entitled white man who set out to prove that Europe could be conquered cheaply by the pedestrian traveler. He was basically one of the first terrible American tourists abroad. His attitudes towards women, Jews, gypsies, the Irish, are as loathsome as you’d expect. On the voyage out, there are some Iowa Indians headed to England, and while the men are handsome, “the squaws were all ugly.” This sets the tone for his women-hating, with frequent comments about how ugly and dull-looking are the women he encounters. “I regret to say, one looks almost in vain, in Germany, for a handsome female countenance… In a public walk, the number of positively ugly faces is really astonishing.” One hotelier is described as a “shrill-voiced hostess.”

He has intolerable views about Jews as well, giving them all a sinister look, except for Mendelssohn (the composer) who he compliments as having a Jewish face “softened and spiritualised, retaining none of its coarser characteristics.” Of the Irish, “there was scarcely a mark of intelligence; they were a most brutalized and degraded company of beings.”

Taylor has no qualms about begging for a loan of $50 from a stranger, an artist in Italy (the equivalent of $2k in today’s currency). He’s a busybody who almost tells fellow travelers (a German family) who are headed to Texas not to bother because the climate is bad and Indians are violent. Weirdly, he recommends pouring brandy into your boots to alleviate blisters. He steals flowers from Beethoven’s grave and is constantly climbing up hills to grab wildflowers to press into his books as gifts for people at home. Not having enough money to afford a cabin on a ship, he huddles on deck in the rain looking miserable until someone takes pity on him. He later tips one servant but “the other servant who had not taken the least notice of us, laughed sneeringly” until he saw the tips getting handed out. Then Taylor turns his back on the sneering servant and walks off without giving him anything.

Most of the book is mind-numbing descriptions of the sights he sees along the way, the kind of stuff that you glaze over when someone tells you every last detail of their latest trip. More interesting are the crumbs of personal stories he drops along the way, little details like eating oat cakes and milk for dinner or various altercations he gets in.

N.P. Willis crops up again (Fanny Fern’s brother), and Taylor gets a letter of introduction from him to his brother Richard Willis in Frankfort, Germany.

The Narrative of Arthur Gordon Pym of Nantucket

Gorgeous book by Edgar Allan Poe that I stumbled onto by way of reading the extensive notes to Moby-Dick (Hendricks House edition) wherein they claim several instances of influence that Poe’s 1838 novel had on Melville (especially in the whiteness of the whale aspect, compared closely with Poe’s eerie last chapter where everything turns white: white powder, white animals, white ashy material, down to the last sentence: “And the hue of the skin of the figure was of the perfect whiteness of the snow.”

Things kick into high gear quickly, where Arthur and his pal Augustus get drunk and take a boat out; nearly dying after being run down by a larger ship, they’re rescued and plopped back on shore. This whets Arthur’s appetite for sea-faring, and he stows away when Augustus sails off on a whaling voyage. A mutiny prevents Augustus from helping Arthur bust out of the hold, and he nearly dies of thirst/hunger. Many are killed, but Augustus is spared, the mutineers start to drink and argue and eventually Arthur appears as the ghost of one of the crew that was killed, helping his friends take control of the ship. Then a huge storm, they’re almost flooded, and near starvation because the stores are flooded. Cannibalism ensues. Eventually, Arthur and Peters are rescued (Augustus doesn’t make it) and head off to polar expedition with the new ship. At this point, the story lags and starts to fall apart, but Poe continues on, has his hero encounter natives in the Arctic that ambush the whites but Arthur hides in a crevice with Peters. Eventually they escape in a canoe and head off into the weird wild whiteness. A lot of the arctic piece was cribbed from A Narrative of Four Voyages published by Benjamin Morrell in 1832; seems like that was the thing to do (as Melville relied heavily on Beale’s The Natural History of the Sperm Whale).

This was Poe’s only novel published, and it leaves me wanting much more. I guess I’ll have to dip into the tales.